Showing posts with label Chrissie Hynde. Show all posts
Showing posts with label Chrissie Hynde. Show all posts

Thursday, September 8, 2016

No Pretending, The Pretenders


Have you ever seen Pretenders live? I have, If you haven't you should! 

Pretenders has announced the release of its long awaited new album. ALONE (BMG) arrives everywhere on October 21. ALONE is available for pre-order now, with all orders joined by an instant download of the album’s electrifying first single, “Holy Commotion."

ALONE was recorded with The Black Keys’ Dan Auerbach at his Easy Eye Studio in Nashville and mixed by Tchad Blake (The Black Keys, Elvis Costello, Richard Thompson). The album was initially conceived as follow-up to legendary bandleader Chrissie Hynde’s acclaimed 2014 solo debut,STOCKHOLM, but as its songs and sonics took shape, the collection soon revealed itself as the first all new Pretenders LP since 2008’s BREAK UP THE CONCRETE.

ALONE sees the one and only Hynde backed by a team of what she proudly calls “real people playing real instruments,” helmed by the multi-talented Auerbach and featuring Nashville session luminaries including bassist Dave Roe (Johnny Cash, Loretta Lynn, Sturgill Simpson), pedal steel pioneer Russ Pahl (Blake Shelton, Don Williams, Luke Bryan), and guitarist Kenny Vaughan (Marty Stuart & His Fabulous Superlatives, Lana Del Rey, Ray LaMontagne), as well as keyboardist Leon Michels and drummer Richard Swift – both charter members of Auerbach’s adventurous garage rock combo The Arcs.

Hynde and Auerbach made for ideal foils, two idiosyncratic songwriter/musicians each possessing a deep knowledge and even deeper love of rock ‘n’ roll, both of course hailing from the City of Invention itself, Akron, Ohio. Though neither remain, Akron continues to inform both artists’ work, the Rubber City’s long history of progressivism and ingenuity, hard work and musical experimentation, are all very much present in their first full-length collaboration. 

ALONE indeed bears all the trademarks of The Pretenders’ legendary canon – raw and rollicking riffs, poignant balladry, taut hooks and indelible melodies, all in service of Hynde’s heartworn, ever-unsentimental songcraft. Nearly four decades on from The Pretenders’ epochal 1980 debut album, Hynde’s instantly identifiable voice is perhaps more emotional, more aggressive than at any other time in her career as all the vocals were recorded in 48 hours. That extra bit of edge only serves to add fire to new Pretenders classics like the brutally candid “I Hate Myself” and the defiant title track, a spiky rocker that sees Hynde extolling the joys and virtues of solitude.

“We were in the studio hanging out,” Hynde says, “and the guys were talking about their families and their wives and I said, ‘Well, I do everything alone. I go to the cinema alone. I go to restaurants alone. I live alone. I pretty much do everything on my own. I don’t mind.’ Dan says, ‘Write a song about it.’

“The more I thought about it,” she continues, “I thought, I’ve heard 1,000 songs in my life, they’re all about, I am so tired of being alone. I can’t live without you. Since you’ve left my world has fallen apart. When am I going to see you again? Marry me and be with me for the rest of my life. I have never heard anyone celebrate being alone in a song. I couldn’t think of one.”

Other highlights include “Roadie Man,” a softly sung paean to the hard working touring crew that has been kicking around Hynde’s unrecorded songbook for more than 25 years, the seductive “Let’s Get Lost” (co-written with songwriting superstars Amanda Ghost and Dave McCracken), and “Never Be Together,” featuring an inimitable contribution from legendary twang bar hero Duane Eddy.

“As soon as you hear one note you know who it is,” says Hynde. ‘I don’t get real excited about vintage guitars and stuff but I do if someone else is playing them that brilliantly.”

ALONE marks Hynde’s first musical effort since her extraordinary 2015 memoir, RECKLESS: MY LIFE AS A PRETENDER, hailed by the New York Times upon its release as “honest and distinctive…first and foremost, a love letter to rock and roll.” “RECKLESS is more than a well-written, thoughtful memoir,” raved the Huffington Post. “It’s a cultural history of the rock scene in the 60s and early 70s, told by an astute observer who, perhaps unwittingly, reminds readers that improbable dreams can come true.” Hynde “(writes) with the sort of candor and humor rarely found in bookss,” declared the Boston Globe, noting, “Bad girls sometimes finish first.” “(Hynde] writes just like she lives,” wrote the Daily Beast, “and just like she makes music. She does it her way, which is an inimitable multiplicity of things: impulsive, untamed, ragged, proud.”

The Pretenders begin a North American tour with Stevie Nicks on October 25 at Phoenix, AZ’s Talking Stick Arena and ending December 18 at The Forum in Inglewood, CA. The complete tour dates are below. All tickets can be purchased via ticketmaster.com.

THE PRETENDERS NORTH AMERICAN TOUR WITH STEVE NICKS OCTOBER

25 – Phoenix AZ – Talking Stick Arena
27 – Denver, CO – Pepsi Center
29 – Houston, TX – Toyota Center
30 – Dallas, TX – American Airlines Center

NOVEMBER
2 – Tampa, FL – Amalie Arena
4 – Fort Lauderdale, FL – BB&T Center
6 – Atlanta, GA – Phillips Arena
7 – Nashville, TN – Bridgestone Arena
10 – Charlotte, NC – Time Warner Cable Arena
12 – Columbia, SC – Colonial Life Arena
14 – Washington, DC – Verizon Center
15 – Boston, MA – TD Garden
19 – Bethlehem, PA – Sands Bethlehem Event Center
20 – Philadelphia, PA – Wells Fargo Center
23 – Grand Rapids, MI – Van Andel Arena
25 – Uncasville, CT – Mohegan Sun Arena
27 – Detroit, MI – The Palace of Auburn Hills
29 – Toronto, ONT – Air Canada Centre

DECEMBER

1 – New York, NY – Madison Square Garden
3 – Chicago, IL – United Center
5 – Lincoln, NE – Pinnacle Bank Arena
6 – St. Paul, MN – Xcel Energy Center
9 – Vancouver, BC – Pepsi Live at Rogers Center
11 – Seattle, WA – Key Arena
13 – Sacramento, CA – Golden 1 Center
14 – San Jose, CA – SAP Center
18 – Inglewood, CA – The Forum


Pretenders at:
thepretenders.com/

Thursday, April 14, 2016

Watch This "Damned" Documentary


You know the old adage: Damned if  you do, Damned if you don't?
Carry on then!

Featuring Chrissie Hynde, Dave Gahan, Lemmy, Mick Jones, Billy Idol and more...

After packing cinemas and collecting rave reviews around the world, THE DAMNED: Don't You Wish That We Were Dead is coming to home video on May 20th.

Hailed as "excellent" by Uncut, "fascinating" by The Arts Desk,and "funny, fast-moving and gloriously chaotic" by The Hollywood Reporter, the film was directed/produced by Wes Orshoski, and is the first fully authorized documentary on punk pioneers The Damned.

Ireland's Hot Press raves: "Orshoski came onto our radar with the acclaimed Lemmy documentary in 2011 [which he co-directed/produced] and has once again created a tour de force, presenting an entertaining and searingly honest depiction of the grievously overlooked punk legends."

Filmed around the globe over three years, and world-premiered at SXSW 2015, THE DAMNED: Don't You Wish That We Were Dead tells the story of the third prong in the holy trinity of U.K. punk. In advance of both the Sex Pistols and the Clash, The Damned was the first U.K. punk band to release a single (1976's immortal "New Rose"), the first to release an album ('77's frenetic Damned Damned Damned), and the first to tour America (planting their flag at CBGB in April 1977). Now in their 39th year, The Damned are the only band from London's 1976 Punk Rock Big Bang still touring the world today.

In addition to Damned founders Captain Sensible, Dave Vanian, Rat Scabies and Brian James, the film includes appearances by such one-time bandmates as The Pretenders' Chrissie Hynde, Mick Jones (The Clash) and Lemmy Kilmister of Motörhead, as well as such rock and/or punk luminaries as Nick Mason (Pink Floyd), Glen Matlock (Sex Pistols), Steve Diggle (Buzzcocks), JJ Burnel (The Stranglers), Dave Gahan (Depeche Mode), Billy Idol, Ian MacKaye (Minor Threat/Fugazi), Jello Biafra (Dead Kennedys), Keith Morris (Black Flag/Circle Jerks/OFF!), Dexter Holland (The Offspring), Jack Grisham (T.S.O.L.), and more.

Taking its name from the title-track of the Damned's 1979 album, Machine Gun Etiquette, the film charts the band's unique history, bitter infighting and legendary bad behavior (drummer Scabies is blamed for creating punk's "gobbing," or spitting, phenomenon); it takes viewers into the toilets once scrubbed by Captain Sensible and viewers follow the Damned on their world-wide 35th anniversary tour in 2011 -- with estranged band founders Scabies and James seen on screen answering that trek with a snarling celebration of their own. In a bizarre twist of fate, other former members find themselves being treated for the same form of cancer by the same doctor in the same Welsh cancer ward; elsewhere, the band's founding members are seen grappling with their legacy, and the fallout from missed and/or bungled business decisions that have kept them painfully working class for most of the past four decades.

                                                          "Damned" Trailer

The Arts Desk: "Where many music documentaries have a similar dynamic arc-rise, fall, rise again-Don't You Wish That We Were Dead is a fascinating, rambling saga that emanates a rich, sometimes morose, sense of what it's really like to have a whole life defined by the oh-so-brief explosion that was punk rock."

In the bonus features, Captain Sensible takes viewers on a tour of Croydon, the south London town that gave rise to the Damned, and he busks on the streets of Hollywood with actor/musician/comedian Fred Armisen, a huge Damned fan. Elsewhere, the full story of the band's involvement and eventual ousting from the Sex Pistols' fabled Anarchy in the U.K. tour of 1976 is told in detail for the first time. 

In the film, The Damned is credited with helping to ignite the punk scene in America. In 1977, the Damned were the first of the U.K. punks to play in both New York (at CBGB) and Los Angeles (at the Starwood).

In 2010, The Huffington Post's Binky Phillips recalled the band's U.S. debut at CBGB in early April 1977: "I was down at CBGB with a chip on my shoulder. My town was Punk Ground Zero.... I was, in fact, without a struggle, reduced to fan boy within 30 seconds. It was as if the entire evening proceeding them had been in black and white and suddenly we were thrust into Technicolor Oz."

The Damned kick off a West Coast tour in April, which includes two appearances at Coachella (April 16 & 23), as well as stops in San Francisco (April 14, Great American Music Hall); Solana Beach, CA (April 19, Belly Up); Pomona, CA (April 20, The Glass House); and Los Angeles (April 21, The Roxy).

The band officially kicks off its 40th anniversary tour on May 20 with a sold-out gig at The Royal Albert Hall in London.

Follow news about the film at:
   www.damneddoc.com
   www.facebook.com/damneddoc
   TWITTER: @damnedmovie
   Instagram: DAMNEDDOC

Pre-order at the MVD SHOPhttp://bit.ly/1LV7MRm 


SCREENINGS:
April 2: New Orleans, Louisiana, Zeitgeist Arts Center, 9:30 PM
April 6: London, England, Hackney Picturehouse, 8:30 PM.
April 14-15, 23: Buenos Aires, Argentina, BAFICI - Buenos Aires International Independent Film Fest
April 22-28, Saskatoon, Saskatchewan, Broadway Theatre, check times for each date
April 24, Kingston, New York, BSP Kingston, 6:30 PM
April 28: Houston, Texas, 14 Pews, 8 PM
April 29-30: Providence, Rhode Island, The Cable Car Cinema, 5 PM, 9 PM
May 2: Orlando, Florida, Enzian Theater, 9:30 PM
May 5: Durham, North Carolina, The Pinhook, 7 PM
May 6: Calgary, Alberta, Canada, The Globe, 7 PM, 9 PM
May 12: Toronto, Canada, Revue Cinema, 9:15 PM
May 23, 25: Edmonton, Canada, Metro Cinema
# # #