Showing posts with label Capitol Records. Show all posts
Showing posts with label Capitol Records. Show all posts

Saturday, July 21, 2018

Take A Ride On Your Disco Stick

Look! It's Linda Clifford...!!!

FOUR CLASSIC ALBUMS FROM R&B LEGEND and “FIRST LADY OF DISCO” LINDA CLIFFORD TO BE RELEASED ON AUGUST 24 BY BLIXA SOUNDS
 
Newly re-mastered editions of Linda Clifford’s classic hit-filled Curtom solo albums return on Blixa Sounds. Features bonus 7” single versions and 12” Disco Mixes of her chart-topping smashes produced by Curtis Mayfield and Isaac Hayes.
Blixa Sounds keeps the music coming with series of re-mastered reissues. 
 
On August 24, Blixa Sounds, a new Los Angeles based label, will release four classic albums by American R&B and Disco Icon Linda Clifford, If My Friends Could See Me Now (1977), Let Me Be Your Woman (1979), Here’s My Love (1979), and I’m Yours (1980).
 
Linda Clifford emerged as a powerhouse vocalist during the 1970s, bridging pop, R&B, and disco with her phenomenal voice and electrifying stage presence. Her #1 Billboard disco hits, including “If My Friends Could See Me Now,” “Runaway Love,” “Gypsy Lady,” “Red Light” (from the Grammy-nominated Fame soundtrack), “Shoot Your Best Shot,” and “It Don’t Hurt No More,” accompanied her American Music Award nomination for “Favorite Female Disco Artist” (1979). Her marathon version of Simon & Garfunkel’s “Bridge Over Troubled Water” even yielded a Top 20 hit in the U.K. Blixa Sounds celebrates Clifford’s white-hot streak from 1978-1980 with four albums originally released on Curtis Mayfield’s Curtom label, featuring productions by Mayfield, legendary Motown arranger Gil Askey, and Rock & Roll Hall of Fame icon Isaac Hayes.
 
Currently based in Chicago, Linda Clifford is still spellbinding audiences with her solo performances and sold-out shows alongside Martha Wash, Evelyn “Champagne” King, and Norma Jean Wright as the First Ladies of Disco, recently climbing the Top 10 Billboard dance charts with a remix of “Show Some Love” (2015). However, If My Friends Could See Me Now, Let Me Be Your Woman, Here’s My Love, and I’m Yours show where it all started.
 
After years of singing jazz and releasing one-off singles, including a minor hit on the R&B singles chart with Mayfield's "(It's Gonna Be) A Long Winter" (1973) for Paramount Records, the Brooklyn-born singer made with her full-length Curtom debut with Linda (1977). "Curtis was such a poet," Clifford says. "He had a way with words that everyone could relate to. His poetry was so magnificent.”
 
If My Friends Could See Me Now, Clifford’s second Curtom album, propelled her to international success. The title track hailed from the Broadway musical Sweet Charity (1966). Clifford herself had even appeared in Bob Fosse's 1969 film version starring Shirley MacLaine years before completely recasting the song for the dance floor. “I had no idea that the song affected so many people the way that it affected me,” she says. “In spite of everyone saying, 'Oh it's disco,' it was not just disco. It was pop. It was R&B. It was dance. It was everywhere! You couldn't turn the TV on without hearing it being played at some sports event.”
 
Her recordings of "If My Friends Could See Me Now," "Gypsy Lady," and "Runaway Love" would all crown the summit of Billboard's disco chart for the entire month of May 1978. The album itself rocketed up the album charts, landing inside the R&B Top 10 and peaking at #22 on the Billboard 200. Accolades poured in from industry trades: Cashbox named Clifford "Top Female Vocalist," Billboard awarded her "Most Promising New Disco Artist of 1978," and Record World honored Clifford with "Best New Female Vocalist" and "Best Pop Album.”
 
The following year, Clifford’s double LP Let Me Be Your Woman arrived via Curtom’s partnership with RSO Records, home to the Bee Gees and the blockbuster soundtracks to Saturday Night Fever (1977) and Grease (1978). The album became Clifford’s second highest-charting album on the Billboard 200 (#26) with standout cuts like “Don’t Give It Up” (#15 R&B) and her sizzling, ten-minute cover of “Bridge Over Troubled Water” (#11 Disco). The latter tune landed in pop culture history when it helped ignite the aerobics phenomenon on Jane Fonda’s Workout Record (1982).
 
By the end of 1979, Clifford released another full-length set for Curtom/RSO, Here’s My Love. Produced by famed engineer Juergen Koppers (Donna Summer) and Philly soul legends Norman Harris & Ron Tyson, the album spawned Clifford’s eighth Top 40 R&B hit (“I Just Wanna”). Billboard proclaimed, “The range of Clifford’s style is shown to great advantage as she gets down to a funky beat, sings a sweet ballad and keeps feet dancing on hot disco tunes.”
 
After recording The Right Combination (1980) with Curtis Mayfield, Clifford sparked the Fame soundtrack with the #1 disco hit “Red Light,” also featured on her final Curtom/RSO set, I’m Yours. Written and produced by Isaac Hayes, I’m Yours brought Clifford back to the top with “Shoot Your Best Shot.” Coupled with several television guest spots on Soul Train and American Bandstand, including two hosting stints on The Midnight Special (NBC), Clifford regularly performed at the nation's hottest discotheques. "I worked Studio 54 so many times, it was like a second home to me," she says. "The people there treated me so well. The crowd always seemed to enjoy my show and I always had a good time with them. It was the place."
 
Beyond Clifford’s successful tenure with Curtom, she signed with Capitol Records and released I’ll Keep On Loving You (1982). The album generated another #1 single (“Don’t Come Crying to Me”) and featured “All the Man That I Need,” later popularized by Whitney Houston. She recorded two albums on the Chicago-based Red Label, Sneakin’ Out (1984) and My Heart’s On Fire (1985), and continued releasing a series of Top 20 dance hits throughout the ‘90s and ‘00s while establishing herself as a successful jingle singer for top brands like McDonald’s, Maybelline, and Tropicana. In 2005, she was awarded the Lifetime Achievement Award from the Chicago Music Awards and received the GEMA Foundation’s “Golden Mic Award” in 2014 for her contributions to music. James Arena also profiled Clifford in his best-selling book First Ladies of Disco (2013).
 
40 years after Linda Clifford began ascending the pop, disco, and soul charts, Blixa Sounds has remastered If My Friends Could See Me Now, Let Me Be Your Woman, Here’s My Love, and I’m Yours from the original master tapes. Each album is packaged in a lavish gatefold sleeve and features several bonus tracks making their appearance on CD for the first time ever. With these four releases, Blixa Sounds tells the definitive story of why Linda Clifford remains a disco and soul icon to all generations of music lovers.
 
Amazon retail links:
  • If My Friends Could See Me Now - click here
  • I’m Yours -- click here
  • Let Me Be Your Woman -- click here
  • Here’s My Love -- click here

Thursday, June 6, 2013

Capital Cities On The Move

Photo: Eliot Lee Hazel 

In case you are wondering where I'll be tonight, it's at The El Rey seeing Capital Cities....

IN A TIDAL WAVE OF MYSTERY,
CAPITAL CITIES’ DEBUT ALBUM, IS OUT !
“SAFE AND SOUND” HITS NUMBER 1 AT MODERN ROCK THIS WEEK!
BAND PERFORMS ON “CONAN” THIS THURSDAY, JUNE 6
AND “JIMMY KIMMEL LIVE!” ON JULY 10
TOUR INCLUDES SOLD-OUT JUNE 6 & 7 SHOWS AT LA’S EL REY THEATRE & NUMEROUS FESTIVAL DATES, INCLUDING BONNAROO

In A Tidal Wave Of MysteryCapital Cities’ debut album, was released today by Capitol Records, in partnership with Lazy Hooks. The group will make its national television debut on“Conan” this Thursday, June 6, and perform on “Jimmy Kimmel Live!” on July 10.

Produced by founders/frontmen Ryan Merchant and Sebu Simonian – two Los Angeles-based jingle writers who met on Craigslist  – In A Tidal Wave Of Mystery includes the multi-format radio smash “Safe and Sound,” which is Number 1 at the Modern Rock format, Top 20 at Triple A and within the Top 40 at Top 40 radio. Praised by RollingStone.com for the way it merges “high-energy dance beats with unbridled optimism and joy,” “Safe and Sound” has already sold more than 260,000 copies and is featured on the NOW 45 compilation.

The videos that Capital Cities has made for “Safe and Sound” have more than 4 million views cumulatively. The latest – lensed by Grady Hall (Beck, Modest Mouse), a writer-director and creative director at GRAMMY®-winning Motion Theory – is being played on MTV, MTV2, Teen Nick, Fuse, Music Choice, Palladia, mtvU and MTV Hits. 

The New York Times’ website premiered In A Tidal Wave Of Mystery in the week leading up to is release, which also features the tracks “Kangaroo Court”, “I Sold My Bed, But Not My Stereo” and “Farrah Fawcett Hair” which features Andre 3000.  Capital Cities’ songs have been heard on “American Idol,” “TODAY” and the Iron Man 3 soundtrack as well as in promotional campaigns for HBO, Smart Car, Microsoft and more than half a dozen other spots.

Capital Cities brings its “Dancing With Strangers” headline tour home this week, playing two sold-out shows at L.A.’s El Rey Theatre on June 6 and 7. All proceeds from the June 7 show will go to MusiCares and A Place Called Home. The band will also perform at numerous festivals, including Bonnaroo, Firefly, Summerfest andKanrocksas.

Capital Cities – Upcoming Tour Dates
6/5        Anaheim, CA                             House of Blues                                                    SOLD OUT        

6/6        Los Angeles, CA                         El Rey Theatre                                                    SOLD OUT

6/7        Los Angeles, CA                        El Rey Theatre                                                    SOLD OUT

6/8        Oceanside, CA                SPF 949 @ Junior Seau Oceanside Pier Ampitheatre

6/13      Manchester, TN              Bonnaroo Music Festival

6/14      Miami Beach, FL              Bardot

6/18      St Petersburg FL                          The State Theatre
6/19      Jacksonville, FL                            Jack Rabbits
6/21      Atlantic City, NJ                          The Social @ Revel Resort & Casino

6/23      Dover, DE                                  Firefly Music Festival – Dover International Speedway

6/24      Lancaster, PA                  Chamelon Club

6/25      Columbus, OH                           The Basement

6/27       Milwaukee, WI                            Summerfest

6/28      Kansas City, MO             Starlight Theatre

6/29      Chicago, IL                     Q87.7 WKQX PiQniQ

7/7        Kelowna, BC                   Keloha Festival

7/13      Philadelphia, PA              WRFF Summer Block Party

7/31      Toronto, ON                  Edgefest

8/1        New Haven, CT              Toad’s Place

8/2        Montreal, QC                 Osheaga Music and Arts Festival – Parterre Parc Jean Drapeau

8/17      Sterling Heights, MI          MoPop Music Festival - Freedom Hill Amphitheatre

8/25      Monterey, CA                 First City Festival – Monterey County Fairgrounds

8/30      Chicago, IL                     North Coast Music Festival

8/31      Calgary, AB                    Xfest – Fort Calgary

9/1        Edmonton, AB                Sonic Boom Festival – Northlands Park

10/26    Las Vegas, NV                 Life Is Beautiful Festival

11/2      Los Angeles, CA              The Greek Theatre (opening for Two Door Cinema Club)

For more about Capital Cities, please visit:

Wednesday, February 27, 2013

On Tour: Capital Cities


CAPITAL CITIES ANNOUNCES “DANCING WITH STRANGERS” HEADLINE TOUR
L.A. DUO WILL ALSO PERFORM AT SXSW, ULTRA, EDGEFEST,
SASQUATCH! AND FIREFLY FESTIVALS
SINGLE “SAFE AND SOUND” CLOSING IN ON
TOP 10 AT MODERN ROCK RADIO


February 25, 2013 — New York, NY — Capital Cities will launch the “Dancing With Strangers” tour – its first-ever North American outing – on April 23 at the Crescent Ballroom in Phoenix, AZ.  The headline run will include a show at New York City’s Irving Plaza on May 9 and wrap up with a hometown show at the El Rey Theatre in Los Angeles on June 6. Tickets for the “Dancing With Strangers” tour go on sale to the publicthis Friday, March 1, at 10 AM local time. The band will also perform at SXSW and at numerous festivals, including ULTRA, Edgefest, Sasquatch! and Firefly. See below for itinerary.
Dual frontmen Ryan Merchant and Sebu Simonian – jingle writers who met on Craigslist – have created significant buzz with “Safe and Sound,” the first single from Capital Cities’ self-titled EP. The track is fast approaching the Top 10 at Modern Rock radio with major airplay on such stations as KROQ-Los Angeles, 987-Los Angeles, Live 105-San Francisco and The End-Seattle and is also garnering adds at Triple A radio stations. “Safe and Sound” is No. 1 on Sirius XM’s Alt Nation and has already sold more than 82,000 singles. It has been heard on The CW’s 90210 and in promotional campaigns for HBO, Smart Car and more than half a dozen other spots. The band’s video for “Safe and Sound” has more than one million views.  

  
Neon Gold hailed “Safe and Sound” as a “sonic head rush…an easy, breezy, beautiful slice of effervescent-electro-pop that absolutely kills it” while Status magazine said: "Consider yourself warned, listening to Capital Cities is habit-forming.” The EP, released by Capitol Records in mid-December 2012, is available digitally and as limited edition 12” vinyl editions. It’s title track and first single is selling upwards of 7,000 copies a week. The band is currently wrapping up work on its debut album, due out later this year, and a ‘Safe and Sound’ remix EP will be released on March 19th. A new remix off the EP, ‘Safe and Sound (Cash Cash Remix)’ will premiere on the popular dance music blog DancingAstronaut.com  Wednesday, February 27th.
Capital Cities – Upcoming Tour Dates 
3/13      Mission, TX                    Las Palmas Racetrack – Never Say Never Festival
3/14      Austin, TX                     Empire Automotive/SXSW/ The Roxy Theatre showcase @ 10 pm
3/15      Austin, TX                     W Hotel/SXSW NYLON Day Party – 2-5 pm
3/15      Austin, TX                     Lucille’s/Green Label House Party DJ SET**
3/16      Austin, TX                     Perry Brooks Building
3/16      Austin, TX                     The Belmont/SWSW Live Nation Labs Showcase @ 9 pm
3/16      Austin, TX                     Austin Music Hall/SXSW Perez Hilton Showcase
3/22      Miami, FL                       Bayfront Park/Ultra Music Festival (Weekend 2)                   
4/23      Phoenix, AZ                   Crescent Ballroom 
4/24      Tucson, AZ                    Solar Culture
4/26      Austin, TX                     Stubb’s Bar-B-Q
4/27      Frisco, TX                      FC Dallas Stadium/Edgefest                                  
4/28      Houston, TX                  House of Blues – Bronze Peacock 
4/30      New Orleans, LA             House of Blues Parish
5/4        Washington, DC             RFK Stadium-Lot 9/ DC 101 Chili Cook Off             
5/8        Boston, MA                    Paradise Rock Club 
5/9        New York, NY                Irving Plaza 
5/10      Philadelphia, PA              Theatre of the Living Arts 
5/13      Toronto, ON                  Virgin Mobile Mod Club 
5/14      Cleveland, OH                Cambridge Room @ House of Blues 

5/15      Detroit, MI                     The Shelter 
5/21      Colorado Springs, CO      The Black Sheep
5/22      Aspen, CO                     Belly Up
5/23      Fort Collins, CO  Aggie Theatre
5/24      Englewood, CO               Gothic Theatre
5/26      Quincy, WA                   The Gorge Amphitheatre/Sasquatch! Music Festival  
5/29      Portland, OR                  Hawthorne Theatre
5/31      Sacramento, CA              Ace of Spades
6/1        Santa Barbara, CA           Soho Restaurant & Music Club
6/5        Anaheim, CA                  House of Blues 
6/6        Los Angeles, CA El Rey Theatre 
6/23      Dover, DE                      Dover International Speedway/Firefly Music Festival  
Additional dates to be announced.
For more about Capital Cities, please visit:

Thursday, September 13, 2012

That Rogue Romeo



Photo: Emily Perez

Romeo, Romeo, where for art thou “That Rogue Romeo”.... Well his name is Kevin Stea and he's right here and now.

Kevin is quite ubiquitous and gets around – you may remember him from Madonna's “Blonde Ambition Tour” where he was not only a back-up dancer, but co-coreographer and dance captain for it as well. He also had a featured role as one of the dancers in the Las Vegas show “Goddess” featuring Cristal Connors in the camp classic “Showgirls”.

Mr. Stea is currently conquring another frontier, one he has always wanted to tackle, at the age of fourty-two, he is pursuing a singing career, that combines his love of dance, his visual flair and knowledge of the business having worked with so many greats in it....it's time for “The Rogue Romeo” Kevin Stea...!

MS: Being involved in music as a dancer, what made you decided to pursue it as a voclist/performer?

KS: Music started for me when I went on “Star Search” as a dancer. I pursued a singing career with Capitol Records and that didn't pan out, but it started this little spark in the back of my head. When I went to Italy however I did get offered a recording contract. I was singing on live TV and it was going over really well, so they offered me a contract – they gave me the melodies and I wrote the songs because they wanted the lyrics written in English, that was the most satisfying part of the process, writing the songs. I gave up music for a long time after a series of shady deals...the truamatic experiences that happened in Italy. Recently, when I got injured dancing on tour, I try to look at my injury as a postive thing, not: “I'm an old hag” (laughs) So I thought “what is that one thing that really made me so happy and joyful”? That was writing my music. I knew I needed to pursue it and follow through with it the way I wanted to twelve years ago, or I would regret it for the rest of my life. I'm going to give it my all for as long as I can.

MS: You are doing it at a time when the music industry has so changed, it's much more difficult.

KS: It is much more difficult, but there is much more opportunity to be myself.


MS: Good point.

KS: Back in the day that was part of my frustration. They had me write lyrics about getting the girl and having this grand old time. (laughs) That's not what I want to sing about, that's not who I am. Now with social media and various outlets I have more power than ever to be myself in the music industry. I want to be myself as an artist, not some random production of a label.

MS: “Machine & Magic” is the name of your album, correct?

KS: Yes, it is. 

MS: By the way, do you play any insturments? I'm curious.

KS: Well, I play a little bit of piano and a little bit of drums, but I'm not going to say I will ever play either of them live. (laughs) I work with producers to create the sounds I want, and I usually have to act it out visually for them to get what I am going for. Musicians, being artists themselves understand what I am saying to them with body language.

MS: There are a few other artists I know who do that too.

KS: Sometimes you have to, there are things you can't always say with words that you can say with your body and vice versa.

Make a date with “That Rogue Romeo” at:

or on Facebook at: