Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Friday, July 17, 2026

"Oblivion"

Owning The  Stage
Tender Misfit

Last night I headed to Oblivion a performance space in Los Angeles, CA to catch a performance by Tender Misfit.

Tender Misfit slayed last night! What a dynamic show! 

Here are a few images from it. 

What's that you say? You haven't heard of her yet? Well now you have. I have included links to her Socials below and the video for her latest song Act Of God.

TGIF! 

Michael Shinafelt & Tender Misfit 


Hit the video for Act Of God after the jump!







Join Tender Misfit here: 







Tuesday, July 14, 2026

Ballyhoo!

Ballyhoo!
Photo: Dennis Pike

For more than two decades, Ballyhoo! have been turning the restless energy of the Chesapeake coast into one of alternative music’s most feel-good and enduring success stories. The Maryland band’s "beach pop-punk" sound — a sun-soaked collision of pop punk, alt-rock, and massive singalong hooks — has carried them from clubs and festival stages across the U.S., Japan, and Canada to a fiercely loyal fanbase that keeps growing with every record and every tour. On August 28, Ballyhoo! will release their tenth studio album, Bad Summer, via Right Coast Records — a vibrant, hook-packed record that finds the band sounding bigger, sharper, and more confident than ever.

Produced by John Feldmann (Blink-182, Goldfinger, Avril Lavigne), Bad Summer represents a full-circle moment for Ballyhoo!, pairing the band with one of their earliest influences for what may be their most ambitious and accessible album to date. Across the album, Ballyhoo! double down on the punchy melodies, high-energy choruses, and undeniable melodic instincts that have defined their catalog from the start, while pushing their sound into a brighter, broader, and more explosive space.

“Ballyhoo! were a joy to work with,” says Feldmann. “They are all such incredible musicians and super open-minded, and we made an awesome album. I can’t wait for everyone to hear it. So stoked to be included in this musical masterpiece.”

That sense of excitement runs through every part of Bad Summer. While Ballyhoo! have always carved out their own lane, this record feels especially built to connect with fans of hook-heavy, feel-good alternative music — the kind of album that can sit comfortably alongside the pop-punk energy of Bowling for Soup, the ska-punk spirit of Less Than Jake, and the big-chorus summer immediacy of bands that know exactly how to turn catharsis into a party. It’s still unmistakably Ballyhoo!: loud, breezy, emotionally direct, and impossible not to move to. But there’s also a fresh immediacy here that makes the album feel like a genuine leap forward rather than simply a continuation of what came before.

The album release follows a string of standout singles that have already offered fans a taste of what’s ahead, including the title track “Bad Summer,” “Cali Girl II,” and the gloriously unfiltered “I Guess I’ll Go Fuck Myself.” The next preview, “Thunderstorms,” arrives July 31, further building momentum toward the full-length’s release.

Pre-save Bad Summer and stream the singles here:
badsummer.ballyhoorocks.com

If Ballyhoo!’s studio records capture the band’s charm, their live show is where that chemistry truly explodes. Their concerts are sweaty, celebratory, and relentlessly fun — the kind of sets that turn casual listeners into diehards by the final chorus. That reputation has earned them appearances on the Vans Warped Tour, Oceans Calling, and Punk Rock Holiday, along with support slots for 311, Reel Big Fish, Dirty Heads, and Less Than Jake.

This summer, Ballyhoo! will take that live energy overseas for the first time with performances at BrakRock and Punk Rock Holiday in Europe, before returning stateside for a fall tour with Bowling for Soup. The band is also set to appear on the 311 Caribbean Cruise, sailing March 10–15, 2027 from Miami to Jamaica and Grand Cayman.

For a band ten albums deep, Ballyhoo! sound anything but complacent. Bad Summer captures a group still pushing, still growing, and still chasing the kind of songs that can soundtrack both the best nights and the messiest mornings of summer. It’s a record built on everything Ballyhoo! have always done well — huge choruses, easy chemistry, and a sense of joy that never feels forced — but delivered with a renewed sense of purpose that makes this chapter feel especially significant.

Bad Summer arrives August 28 via Right Coast Records.


Follow Ballyhoo!:
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TikTok   

Monday, July 6, 2026

"Carolina Liar"

Carolina Liar is the project of Charleston, SC native and Los Angeles-based singer-songwriter

Chad Wolf. After working for legendary songwriter Diane Warren and recording in Stockholm
with Max Martin — one of the biggest pop producers of all time — Wolf broke through with the
2008 Atlantic Records debut Coming to Terms, which spawned the double platinum-certified
"Show Me What I'm Looking For" and gold-certified "I'm Not Over." The songs soundtracked
The Hills, 90210, Gossip Girl, and What Happens In Vegas, and launched tours with Rob
Thomas, OneRepublic, Kelly Clarkson, and Gavin DeGraw. Outside of Carolina Liar, Wolf also
formed the alternative rock duo The Federal Empire with Grammy-nominated songwriter McKay
Stevens, whose songs remain a regular part of Carolina Liar's live sets.
 
"Show Me What I'm Looking For" went viral on TikTok in 2021 — generating over 70,000
creates and driving millions of daily Spotify streams at its peak — and still pulls over 144,000
streams per week with zero promotion eighteen years after its release, surpassing 169 million
total streams across platforms. Wolf has collaborated twice with Martin Garrix — on 2016's
"Hold On & Believe" featuring The Federal Empire, and 2024's "Smile," performing live during
Garrix's sold-out run at San Francisco's Bill Graham Civic Auditorium.
 
Now operating as a stripped-down two-piece with drummer Brian Ulery under the banner of
"Garage Gospel" — a raw reinvention built on honest songwriting, delivered with the intensity of
a sermon and the intimacy of a living room — Wolf is entering a new chapter. New single "I Am
King," out June 26th, is the first true expression of that direction. Carolina Liar's music is also
heading to the big screen in the upcoming comedy Concert Heroes, starring Chris Kattan and
Horatio Sanz, where the songs serve as the soundtrack for the film's fictional band and Wolf
makes a cameo appearance. A limited-edition vinyl re-release of Coming to Terms with
exclusive tracks is expected later this year.
 
Watch the "I Am King" lyric video HERE
 
Listen to "I Am King" on Spotify  HERE
Carolina Liar is currently touring the Midwest and performing at Summerfest 2026 on July 4th.
More about Carolina Liar:
 

Friday, June 12, 2026

"Love For Free"

Photo Credit: Savanna Ruedy


David Archuleta’s evolution as a person and artist are on full display with his latest music offering, “Love For Free” where he taps into the themes of growth through duality.  “Love For Free” finds David getting lost in the upbeat energy of the music while gently shedding the layers of his past that have been brought to light this year with the release of his New York Times bestselling memoir, DEVOUT HERE and embracing who he has become today in 2026.  The release will also feature an additional new track, “Better Than You,” both songs HERE produced by LEVÉ. 

“Love For Free” is about knowing your worth, not dealing with games anymore and setting boundaries. You learn and grow, and this is blossoming into someone who realizes they're not messing with other people unless it's time well spent and with people who have the right intentions and value you as a person.  While “Better Than You” is a song about reminiscing. Nostalgia of a beautiful time that once was. It's also acknowledging the delusional way of seeing someone, only highlighting the brighter days and moments, and not the ugly side and toxic dynamic that may have existed. You still can't help but miss whatever it was. Even if it isn't true how you see it in your head vs how it actually was. Says David

 

LEVÉ shares ““Love For Free” comes from a very real place in David's life, surrounding both family and friendly connections. At its core, it’s all about self-worth and boundaries. It’s a pretty bold way of refining your own standards in any relationship without getting too deep. To me, the song is very fun, and I’m excited to see the energy it brings to David’s catalog.”


Follow David Here:

TikTok 1.3M Followers + 22.9M Likes

Instagram 806K Followers 

Facebook 3.4M Followers

YouTube 904k Subscribers 

Spotify 2.7M monthly listeners

Twitter 1.1M Followers 

Saturday, June 6, 2026

"Gonna Be Alright"

Chaser

Southern California melodic punk band CHASER return with Gonna Be Alright, a new 2-song 7” arriving May 29, 2026. Featuring a reimagined version of Bob Marley’s “Three Little Birds” alongside a newly reworked version of the fan-favorite “My Promise,” the release captures the uplifting spirit and emotional sincerity that have become central to the band’s identity.

While the band is still working toward its next full-length album, Gonna Be Alright serves as a special release created to bridge the gap before an extensive summer touring run across the U.S., Canada, and Europe. Vinyl copies of the 7” will be available exclusively at CHASER live shows.

“We are so excited to share this release,” the band says. “While we’re not quite ready for a new full-length yet, we wanted to put something really cool out before our tours this summer. These songs came out amazing and we know people are going to sing along with them at the shows.”

The first single, CHASER’s energetic punk interpretation of Bob Marley’s “Three Little Birds,” is out now. Built around soaring melodies, driving rhythms, and the band’s trademark emotional urgency, the track preserves the optimism and warmth of the original while giving it a fresh melodic punk energy.


“When my son was born, the first song I sang to him in the hospital was Bob Marley’s ‘Three Little Birds,’” says bassist Jesse Stopnitzky. “So we reimagined it as an upbeat punk rock version, adding our thumbprint while preserving its message of positivity, hope, and unity, which are the ethos of our band and live shows. Built for summer, this high-energy nostalgic singalong is a feel-good reminder that everything’s gonna be alright. It seems we can all use some good vibes right now.”

The second track, “My Promise,” arrives May 29 alongside the official release of the 7”. Originally appearing as an acoustic song on the band’s 2010 album The Big Picture, the song has been transformed into a soaring melodic punk anthem while maintaining its deeply personal core.

“I wrote ‘My Promise’ for my daughter when she was born in 2006,” explains vocalist Mike LeDonne. “It’s a heartfelt song about protecting the ones you love and always being there to guide them through life. Twenty years later, this reimagined melodic punk version captures a new perspective on parenthood. The lyrics and message are as pure today as they were then.”

Recorded, mixed, and mastered by Paul Miner at Buzzbomb Studios in Orange, California, Gonna Be Alright also showcases visually striking artwork from two celebrated artists in the punk scene: Mark De Salvo and Samuel Lucas. Each side of the 7” features completely different artistic styles while remaining connected through themes of hope, light, and positivity.

“We wanted the artwork to feel completely different from each other stylistically, while still capturing the same emotional thread,” says the band.

For “My Promise,” Mark De Salvo created a hand-painted canvas piece using warm colors against a darker palette to reflect the song’s heartfelt emotional weight. Meanwhile, Samuel Lucas brought bright, vibrant tropical imagery to “Three Little Birds,” capturing the uplifting spirit of the song while subtly paying homage to the original music video by depicting the wolf and pig as allies rather than enemies.

Homegrown in the heart of Southern California, CHASER — comprised of Mike LeDonne (vocals), Jesse Stopnitzky (bass/vocals), Bill Hockmuth (guitar), and Davey Guy (drums) — have spent years building a reputation as one of melodic punk’s most positive and emotionally resonant live acts. Since 2018, the band has toured extensively throughout Europe, Canada, and the United States, appearing at major festivals including Brakrock Eco Fest, Music 4 Cancer, Envol Macadam, Jera On Air, Punk Rock Holiday, and Punk In The Park, while completing multiple headline tours overseas.

Known for their uplifting and unifying performances, CHASER continue to connect with audiences across punk, hardcore, metal, and rock through songs rooted in resilience, sincerity, and community spirit.

With Gonna Be Alright, the band delivers exactly what its title promises: a timely reminder of hope, connection, and finding light through music together.

Follow CHASER:

Facebook

Instagram

TikTok

Youtube

Bandcamp

Spotify

Apple Music

Sunday, April 26, 2026

Horace Pinker

Horace Pinker 
Photo:
Dee Dee Kohl

SPLIT EP WITH THE RAGING NATHANS OUT APRIL 24; "ANOTHER WAY" SINGLE NOW STREAMING

Fresh off a run of shows capped by a high-energy appearance at FEST 23 in Gainesville, veteran punk outfit Horace Pinker are charging ahead with a new split alongside The Raging Nathans on Rad Girlfriend Records. The pre-release single, “Another Way,” is now streaming, with the EP set to drop April 24.

The band will hit the road in mid-May with The Raging Nathans, including a stop at MidWest Punkfest XIII, followed by an East Coast run in June with Celebration Summer. In August, Horace Pinker head overseas for a European tour supporting Pulley, with appearances at Brakrock, Punk Rock Holiday, and Tells Bells Festival.

Order the Horace Pinker/ The Raging Nathans Split here:

https://radgirlfriendrecords.bandcamp.com/album/split-6

Stream the new single "Another Way" here: 

Spotify

Apple Music

Amazon Music

Bandcamp

RECENT STUDIO LP NOW AND THE FUTURE AND "THREE AGAINST ME" VIDEO

WATCH: “Three Against Me” (Official Video)
https://www.youtube.com/watch?v=JMZk7WhK0PU

Horace Pinker have also unveiled the official video for “Three Against Me,” a standout track from their latest full-length Now and the Future, out now via People of Punk Rock Records.

Built on driving guitars, airtight rhythms, and lyrics that balance defiance with reflection, “Three Against Me” captures the essence of a band that continues to evolve without losing its core identity. The video delivers a raw, unfiltered snapshot of Horace Pinker’s signature intensity and onstage energy.

Now and the Future marks the band’s first full-length since 2011’s Local State Inertia—a return that finds them revitalized, focused, and as melodic and ferocious as ever.

“Horace Pinker returns with Now and the Future, our first full-length since 2011,” the band shares. “Driven by punchy rhythms, sharp melodies, and our signature energy, the record reflects how we continue to evolve while staying true to our punk roots.”

Recorded at Bombshelter Recording Studio in Chicago with producer/engineer Dan Precision (Rise Against, 88 Fingers Louie), the album highlights the chemistry between Scott Eastman (guitar/vocals), Bryan Jones (drums), and Greg Mytych (bass/vocals). From the adrenaline rush of “Three Against Me” to the melodic hardcore punch of “Call It a Day,” the LP reinforces the band’s decades-long commitment to urgency, honesty, and craft.

The album features cover art by JP Flexner (Beach Slang), further underscoring its balance of grit, melody, and emotional weight. Confident and uncompromising, Now and the Future captures everything that has kept Horace Pinker a global touring force for more than three decades.

LINKS & STREAMING

Streaming: Spotify | Apple Music | Bandcamp | Amazon Music
Socials: Facebook | Instagram | YouTube | X | Website

Friday, April 3, 2026

"Hold Tight"

Acclaimed singer, songwriter, and garage-pop mainstay Palmyra Delran returns with her latest digital single, “Hold Tight,” a vibrant reinterpretation of the 1960s hit by Dave Dee, Dozy, Beaky, Mick & Tich. Backed by her band The Doppel Gang, Delran delivers a version that leans into the song’s raw textures—buzzing guitars, crashing tambourine, and all—while injecting it with her signature punch and personality.

Stream Here:

https://orcd.co/palmyraholdtight

Driven by fuzzed-out guitar tones and a gloriously over-the-top tambourine, “Hold Tight” captures the spirit of the original while dialing up the grit and immediacy. It’s a natural fit for Delran, whose career has long balanced reverence for classic pop with a love of distortion, hooks, and attitude.

‘Hold Tight’… is one of those songs that I don’t remember hearing for the first time. I think I just always knew it,” says Delran. “The standout bits for me are that beautiful fuzzy guitar and the tambourine… Nothing brings the mayhem like a loud and sloppy tambourine. As far as the fuzzy guitar, I think that’s the sound of brain cells frying—in a good way.

With The Doppel Gang providing a tight, driving backbone, Delran’s version feels both faithful and freshly unhinged—celebrating the chaos that made the original so enduring.

www.facebook.com/PalmyraDelranMusic

https://x.com/PalmyraDelran

Saturday, March 14, 2026

David J

A new album from David J (Bauhaus, Love and Rockets) entitled, Tracks From the Attic Revisited is confirmed for release on May 22 from Independent Project Records (IPR) and will be available in black or gold colored vinyl, CD, and all digital formats and can be pre-saved here. The first single from the album, “If Muzak Be the Junk Food of Love,” will be available April 15 and can be preordered here.


Reshaped, sometimes rewritten, and now reinterpreted with a full band, the ten tracks that make up Tracks From the Attic Revisited are culled from the 37(!)-track home recordings on Tracks From the Attic released in 2024, also from IPR. These new, fully fleshed out versions are an arresting distillation of David J’s eclectic taste which includes late ‘70s New Wave, a lifelong love of classic country music, and Nick Drake-like romanticism.

“The 2024 demos tracks that became Tracks From the Attic were like neglected little seeds that had been set aside, or fallen on fallow land,” said David J. “They’ve since been gathered up, nurtured, tended and brought back to life as little buds for Tracks From the Attic Revisited. Now this is the bloom.” 

When he first went digging through boxes of old tapes, David J didn’t yet know that he was about to embark on a long, fruitful conversation with his own past, present, and even future self. As he uncovered demos recorded over some four decades, he noticed that some songs were asking him to get reacquainted with them. He eventually complied, approaching material that sometimes he had no recollection of having written as when producing another artist’s music.

The old home recordings became new demos for Revisited: ideas reworked and sometimes radically transformed, lyrics adjusted when they showed a potential to narrate life in the not-so-roaring 2020s. Thus reshaped, the songs were shared with a stellar combo that convened in the studio to breathe new life into them. Some are virtually unrecognizable, while some have kept their original form and charm intact – just developed and grown through the experience that comes with years of music making.

Where the original Tracks From the Attic invited listeners to be present in the room as a young singer-songwriter found his own way (wandering in the fields of experimentation and collecting the meanderings that followed), the new album puts us in front of an artist who has honed his craft and mastered the art of pruning. Indeed, David J compares the making of Tracks From the Attic Revisited to the tending of a garden.

Recorded at Ear Gallery Music in Los Angeles and produced by David J, Tracks From the Attic Revisited musicians include David J (vocals, acoustic guitar), Jason Roberts (Spoon, Daniel Johnston) (guitar), Jon Bernstein (piano, organ), Tony Green (bass), David Raven (Steve Earle, Keith Richards, Lucinda Williams, etc.) (drums), Dan Clucas (trumpet), Robert “Smokey” Miles (Bob Dylan) (accordion), John Courage (lap steel) and Stephen Perkins (Jane’s Addiction) (congas).

Known for their unique musical sensibilities and extraordinary artwork & design, Independent Project Records is a favorite of record collectors and music fans alike for their bespoke packaging and attention to detail. Grammy-nominated founder Bruce Licher’s graphic design and his hand-letterpress packaging have been a mainstay in music circles since 1982’s Tragic Figures from Savage Republic. Since that time, the label has released seminal albums and singles from artists as diverse as Savage Republic, Alison’s Halo, Human Hands, Kommunity FK, Camper Van Beethoven, Scenic, For Against, Deception Bay, Half String, Autumnfair, The Dentists, Tone, WOO, Stereolab and more. Since the label’s relaunch in 2020, IPR has released new music, lost albums, reissues with bonus tracks on digital, compact disc and vinyl formats for a variety of artists including A Produce, Afterimage, Alison Clancy, David J, Half String, Bruce Licher, Greg Lisher, Jeffrey Runnings, The Ophelias, Red Temple Spirits, Savage Republic, Scenic, Shiva Burlesque, Springhouse, Torn Boys, WOO and multiple various artist compilations. Coming up in 2026 are new titles and expanded reissues from David J, Driveway Ceiling, Kommunity FK, Middle Class and more.
 
Follow Independent Project Records on Social Media:
 

Wednesday, March 4, 2026

Hump Day & Chill

Kesha is having a great run presently with her hit album Period and a sold out tour, it's the comeback story everyone loves.

Today however we are going to Hump Day & Chill to her being an outspoken individual with a wicked sense of humor.

Seems like the Cretins in the White House decided to use her song Blow for a video of bombings. Yep, pretty repellent.

Thus she Tweeted this gem to them:

"Stop using my music, perverts" 

Ha ha ha ha ha! Think about it, but not too much...

Hump Day & Chill!

Kesha on IG -

https://www.instagram.com/kesha/?hl=en 

Friday, February 27, 2026

"We Got The Beat"

The Go-Go's

"Go-go music really makes us dance

Do the pony puts us in a tranceDo the watusi just give us a chanceThat's when we fall in line
'Cause we got the beatWe got the beatWe got the beat, yeahWe got it" - The Go-Go's, We Got Beat
The Go-Go's is one of my all time favorite bands. Their Freshman album Beauty and the Beat 1981 contained the fun times anthem We Got The Beat. It's still a dance staple today.
Get the beat this weekend...TGIF!
The Go-Go's on IG -