"American Pie" Celebrates 20 Madonna Style

Tiara Time!
Madonna

"AMERICAN PIE" MADONNA STYLE CELEBRATES 20th ANNIVERSARY

Madonna's Version Topped Billboard's Dance Club Songs Chart in 2000

Don McLean's Original Recording To Celebrate 50th Anniversary In 2021

Original "American Pie" crooner and songwriter Don McLean celebrates the 20th Anniversary of Madonna's version! 

As many people know, there are some songs that are considered classics. So when another artist covers a classic song, it can either turn out to be a hit (Whitney Houston covers Dolly Parton’s ‘I Will Always Love You’) or it could be a dud (Jessica Simpson covering Nancy Sinatra’s ‘These Boots Are Made For Walkin’’).

One song that would be considered both, depending on who you talk to, is Madonna’s take on "American Pie" by Don McLean.

At the behest of her co-star Rupert Everett, Madonna recorded her version for the soundtrack to their film The Next Best Thing, a romantic dramedy from Midnight Cowboy director John Schlesinger, which starred Madonna, Rupert Everett, Benjamin Bratt, and Neil Patrick Harris.The film was critically panned and soon faded from memory, but “American Pie” -- released as a single the same day on March 3, 2000 -- became a polarizing global hit.

While the movie did not do well, the song hit its peak at number 29 on the Billboard Hot 100 and number one on the Billboard Dance Club Songs.

Produced by William Orbit, her lead collaborator on Ray of Light and “Beautiful Stranger” (her psychedelic 1999 single from the second Austin Powers soundtrack), the “American Pie” track is colorful, almost gaudy -- the theremin-like synths and marching snares threaten to tip over into kitsch. 

Don McLean, when interviewed in 2015, said this about Madonna covering his song: “I loved it. I thought it was outstanding. I thought Madonna did a great job with it. To me, she’s an artist for the 20th and the 21st century. She’s magnificent."

"It is a gift for her to have recorded 'American Pie,'" McLean continued. "I think it is sensual and mystical. I also feel that she's chosen autobiographical verses that reflect her career and personal history. I have received many gifts from God but this is the first time I have ever received a gift from a goddess."

In the music video, Madonna seemingly becomes an avatar for America itself. Between shots of her dancing in front of the flag, she showcases a diverse cast of working-class, queer, ordinary Americans. “American Pie” was unusually patriotic and nostalgic, two words rarely associated with Madonna.

"Whisky, Woman & Me"

Country Music Stand-out Vonn Kiss Releases Latest Single "Whiskey, Woman & Me"

Country music singer/songwriter Vonn Kiss keeps the fire lit with a new heartwarming, traditional country tune. “Whiskey, Woman & Me” premiered by Country Sway, resonates with those who may be experiencing hardship and pain, providing a lyrical shelter for the brokenhearted in search of comfort. Vonn writes through personal experience in hopes to illustrate the idea that suffering can sneak up on you and shoot when least expected but songs like “Whiskey, Woman & Me” help heal the wound. The new single is available now on all streaming platforms.

“Life can be a broken body, a broken soul, and sometimes both. You search for the answers as to why and it often takes the deeper realization of someone else's pain to give you strength and know that you are not alone; though different, it is pain nonetheless,” shares Vonn.

This American country staple artist relentlessly continues to craft country classics that resonate with those who hold their hearts on their sleeve. Vonn’s genuine grit, determination and passion reflect a strong desire to deliver songs that leave a lasting impact. “Whiskey, Woman & Me” provides the listener with lyrics that parallel a pill that; though hard to swallow, is just what the doctor ordered. As Vonn Kiss releases one stellar single after another, fans will not want to miss what this rising star has in store for the coming months.

You can stream Vonn Kiss’s new single “Whiskey, Woman & Me” directly on Apple Music, Spotify, and Amazon Music. This single along with others are to be dropped in the coming months contributing to a highly anticipated fall album release.

Visit his website and socials linked below to keep up with future announcements and releases.
 

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"Cheap High"

Danielia Cotton

FIERCELY AND DEFIANTLY, DANIELIA COTTON

RELEASES ‘CHEAP HIGH’ MUSIC VIDEO TO CONFRONT

ADDICTIVE POWER OF WEALTH IN THESE DIFFICULT TIMES  

Premiering Now at American Songwriter, Socially Distant-Shot Video from 5/29 Album Release A Different War

Finds Widely Acclaimed Blues-Rocker Addressing the Isolation that Comes with Addiction

RadioWoodstock 100.1 WDST Celebrates Album Release Day with ‘Sofa Sessions’ Livestream Concert Event, 5/29 @ 7 p.m. ET

"Danielia Cotton has not had it easy. But lucky for us, she channels her pain and suffering into kick-ass musical creations we can all enjoy.” - Guitar World

The music video for widely acclaimed blues-rocker DANIELIA COTTON’s new stomping anthem, CHEAP HIGH, from next week’s album release, A Different War, premieres today at American Songwriter, noting how “Cotton’s raspy voice is tinged with anger and frustration, but she channels her powerful vocal delivery into a cathartic triumph by the song’s end.”

Cotton drew on childhood memories of surviving as a poor multi-racial youth in an upper middle-class New Jersey community. While creating the video, she was astonished witnessing the addictive power of a “cheap high” surge through our communities during the pandemic, further highlighting our economic disparities. 

“Right now there are so many people in their homes with no money coming, yet they’re frantically ordering all kinds of items online,” says Cotton. “It’s still going on. It’s even coming down to buying ridiculous things like designer brands for masks. It’s crazy. And then there are those who wear masks made from a handkerchief because that’s all they’ve got.”

Writing CHEAP HIGH, now active at Triple A radio, made Cotton think a lot about the things she didn’t have as a kid – like running water, which she went without until she was in high school. And not having traditional heating, instead having to chop wood for the stove with her sister when they came home from track practice. And being laughed at by the other kids in junior high for wearing cheap supermarket sneakers. The result was that spending became a formidable drug for her that substituted for other substances she found less desirable. The song speaks not only to personal unhappiness arising from greed but also to the dangers of a society mired in an economic disparity that even the pandemic cannot break.

“We haven’t had such a disparity between the rich and the poor like this in a long time,” she says. “Showing off things to prove you have money is a cheap high. That’s where we all are right now. Spending is an epidemic in our country, but what makes you truly happy in life is people and love.

The pandemic shutdown limited filming inside her Manhattan apartment and on the building’s roof deck, just her and videographer Ray Foley, socially distanced from each other during the entire process. Fittingly, the song is about isolation − the isolation that comes with any addiction, such as spending, and when one is besieged by self-doubt. The video forcefully conveys that sense of isolation and emptiness, courtesy of COVID-19.

CHEAP HIGH is the second single from A Different War, her most politically charged album in a widely heralded career that has drawn praise from the New York Times, Billboard, the Los Angeles Times, NPR, and USA Today, among many others. Set for release May 29 on all major digital platforms through Cottontown Music, the album will be celebrated that evening by RadioWoodstock 100.1 with a Sofa Sessions Livestream Concert Event at 7 p.m. ET. Watch it here.

A Different War finds Cotton, whose voice gives her songs “stunning power” (No Depression), speaking to these extraordinary times by unloading her sin while the world around her is gripped in a turbulent spin. Cotton frames the six-song opus by confronting race, gender, and wealth − deeply personal and pervasive issues that have plagued folks like her for an eternity.

A Different War will be available May 29 at Apple Music, Spotify, Amazon, and where music is consumed on-line.

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California Dream

Tom Sless

NEW AMERICANA ARTIST TOM SLESS DRAWS HIGH PRAISE FOR ‘ASSURANCE, CRAFT AND CONVICTION’ ON ‘UPLIFTING’ DEBUT ALBUM, ‘CALIFORNIA DREAM’

Live Quarantine Concert Series, California Dream: Melodies and Remedies, Continues Each Wednesday to Also Help Musicians Battle Adversity

California Dream, surveys Sless’s soulful ride down the winding roads of life and love from Jersey Shore and Baltimore roots to Los Angeles with celebratory country rock, nod-and-a-wink humor, and rough-hewn folksiness.

“[California Dream’s] assurance, craft and conviction belie the fact that [Tom]’s a novice or a newcomer of any kind. … Great stuff indeed.” - American Songwriter

Critical acclaim is mounting for LA based Americana singer-songwriter-guitar slinger TOM SLESS as the media continues to discover and embrace his new debut album, California Dream.

Released just as the COVID-19 pandemic in late March forced postponement of live Album Release events at home in Los Angeles and plans to tour across the country, California Dream receives high praise in the current edition of American Songwriter as an “uplifting” work that is “Great stuff, indeed,” offering an “assurance, craft and conviction” that belie Sless’s status as “a novice or a newcomer of any kind.” The song “Astronaut,” the magazine continues, “asks the question, ‘Will anyone remember me?’ Based on the evidence offered here, the answer is an emphatic yes indeed.”

Americana Highways hailed California Dream for its “wealth of good musical touches [with] style & a commercial charm that’s not too sweet,” adding that the “superb rollicking” guitar-driven track “Gimme the Breeze” – also featured in the Los Angeles Post-Examiner and Baltimore Post-Examiner – is “worth the price of the CD” alone. That rock-fueled energy, the review continues, is beautifully countered by the “sweet and dynamic” cut “Too Much On My Mind,” a looping, Grateful Dead-like, exploration of a musical theme driven by the pedal steel of — no relation — Barry Sless (Phil Lesh, Chris Robinson) with “excellent lyrical imagery.”

Midwest Record joyously noted “it’s always a treat to stumble across a singer/songwriter that knows how to make sensitive, personal songs without stooping to bleeding gums music,” adding that Sless “captures the wanderlust” in creating an album that’s “a dandy ear opener throughout.”

Sless likewise earned high marks from New Jersey Stage (“refreshingly honest”), Short and Sweet LA/NYC (“a songwriter not to be deterred” with “an insidious way” of “getting our feet tapping while he delivers lyrics of substance”), and Exclusive Magazine (“[he] immediately gets our attention, and as we progress, his musical messages carry us along on his rich journey”). Elmore Magazine and Nashville.com are among others planning coverage.

With coronavirus consciousness for his fellow musicians and followers in mind, Sless continues his weekly live streaming quarantine concert series “California Dream: Melodies and Remedies” also designed to help battle adversity through music and discussion. The interactive series premieres new episodes every Wednesday at 7 p.m. Pacific/10 p.m. Eastern on Instagram Live at www.instagram.com/tomsless with on-demand archived episodes at www.soundcloud.com/tomsless.

“California Dream: Melodies and Remedies” includes under-the-hood discussions of the inspiration for each week's featured song from the new album, an interview with a key contributor to the song's production, and an audience-Q&A round table focused on self-help strategies applicable to the pandemic, such as dealing with anxiety, maintaining motivation, and “finding joy in the little things.”

Co-produced by the Jersey Shore native with John Bottrell (Christina Perri, Mike Posner) and recorded live in the studio at comp-ny in Glendale, CA, California Dream carries us along Sless’s soulful ride down the winding roads of life and love with a vibe that alternates between the celebratory country rock of Luke Combs, the nod-and-a-wink humor of Sturgill Simpson, and the rough-hewn folksiness of Donovan Woods. Through canny lyrics and infectious tunes, California Dream captures Sless’s love of LA, the highs and lows of his decision to move there from the Baltimore area after college, and his struggles to embrace the past and push forward. Like Steve Earle, Sless displays bracing honesty in his songwriting, and like Jason Isbell, has a knack for creating a world in which our souls struggle to define themselves. With ceaseless creativity, Sless possesses an ear for the just-right melody and lyric, and a passion for songs that evoke his disappointments, hopes, joys, and loves.

Sless still plans to host album release events on the West Coast and East Coast once the live music terrain gets more clearly defined.

“This album is a huge step toward a realization of myself as an individual and a creative artist,” he says. “It’s a jumping off point into a world in which I can fully express myself as a human being. There truly is no better feeling.”

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The Best Of The Rest

PHIL OCHS

The Best Of the Rest: Rare and Unreleased Recordings

Coming to CD on May 22nd

PRE-ORDER HERE

"As much as has been written about the sixties, it's arguable that no one experienced that defining moment in American history more personally than Phil Ochs" - Steve Earle

Phil Ochs is known primarily as a songwriter; however, his oeuvre extends far beyond that - to short stories, poetry, criticism, journalism and satire   More than a torrent, less than a flood-the songs poured out of Ochs so quickly in the early days of his career that not all were able to find their place on his albums, leaving a fair few in limbo. Some of those "betwixt and between" songs would only emerge decades later and a few have hitherto languished in the archives. The Warner/Chappell demos which make up the main portion of this new album represent a time period spanning Ochs' last two albums for Elektra: I Ain't Marching Anymore and In Concert, when Phil was finding his full strength as a songwriter and moving to include the lyrical in his repertoire, alongside the topical and satirical. Songs such as "In the Heat of the Summer" and "Here's to the State of Mississippi" will certainly be familiar to most Phil Ochs fans. Others, like "The Confession" and "I'm Tired" (the latter with subtlety adjusted lyrics) may be known only to those who have the Farewells and Fantasies and A Toast to Those Who are Gone albums, respectively (or perhaps Shawn Phillips' rare cover of "I'm Tired" on his 1965 album for Capitol, Favorite Things). Readers of Broadside ("the national topical song magazine") issue 69, in April 1966 would have encountered Ochs' "Take It Out of My Youth. However, if they missed that issue, or did not have the rare good fortune to hear Ochs perform it live, then they might never have even been aware of the song. Rather than paying for a drink from a five or ten ("depending upon one's station in life"), Ochs suggests a more personal, and perhaps more draining, means of payment. "I Wish I Could Have Been Along" is even more obscure-never published in any magazine, with no known live recordings or cover versions. The song ranges from (barely) repressed wanderlust and the desire for experience on the one hand, to introspection and mournfulness on the other (there are times when one can almost hear Ochs sing, "I Wish I Could Have Been Alone," son of "As I Walk Alone" perhaps?). Another line calls to mind an even more famous Ochs song, of similar vintage, "tell me of the changes in your mind."   "Sailors and Soldiers," perhaps partially inspired by the Soldiers' and Sailors' Memorial Monument in Riverside Park in New York City-with Phil transposing the armed services, either for the sake of emphasis through unfamiliarity or, perhaps more likely for the sake of how the line would scan, lyrically. In any case, it too was completely unknown before being rescued and covered by the Long Ryder's Sid Griffin with Billy Bragg (Phil fans both) on Griffin's solo album Little Victories in 1997. The words ("far from the planners who sent them to die") cut as deeply today as they did when the song was written. The bonus tracks delve even more deeply into the Ochs Archives. The version of "The War is Over" from a November 20, 1967 WBAI broadcast, in advance of the protest celebration five days later, features almost entirely divergent lyrics ("all the children play with Gatling guns, tattooed mothers with their tattooed sons") from those of the released version and is a wonderful example of Ochs never being satisfied with the merely clever and well-written, forever polishing to a fine poetic point. "All Quiet on the Western Front," from 1969, was previously only known from incomplete versions recorded live in New York and Philadelphia (both missing, as though through some conspiracy, the opening verses). Ochs was more economical with his songs later in his career and this is a rare example of a lost song saved from those latter days. In "No More Songs" we close with a familiar song, but something new-a rehearsal take, replete with comments on what instrumentation and countermelodies Phil envisioned. It is a rare glimpse behind the curtain and a fitting last word from Phil. I'm Gonna Say It Now: the Writings of Phil Ochs (Backbeat Books, May 2020) compiles damn near all of Phil's non-song works, sourced, in part, from the Ochs Archives at the Woody Guthrie Center in Tulsa, Oklahoma. Phil is known primarily as a songwriter; however, his oeuvre extends far beyond that - to short stories, poetry, criticism, journalism and satire, all of which are included in this tome. Spanning foundational texts written while still in school at Staunton Military Academy and Ohio State University-to the music criticism, polemics and satire penned in New York City (appearing in such diverse magazines as Sing Out, Mainstream, The Realist and Hit Parader). Onward, with ringing calls to action, from an absurdist point of view, for the two War Is Over rallies in Los Angeles and New York City-to exploring Phil's more lyrical side, via his poetry (the majority previously unpublished) to, finally, a recapitulation of sorts, in works written in the early 1970's touching on movies, travel (from his private journal), Bruce Lee and, dare we say it... Impeachment and the fate of presidents.

Dreamland II

For The Winn
Billy Winn

Billy Winn Awakens Dreamland II, The Final EP of His Two-Part Series

Billy Winn’s Dreamland II releases everywhere on August 9 and it picks up where the first album left off.  Thematically, at least.  Both EPs tell stories from the perspective of a queer kid of color who has had his heart broken.  “It’s the only position that I can write from and it’s one that I can’t recall ever hearing in pop music,” Winn explains.  “My hope is that regardless of where you come from, who you are now, or who you are becoming; you’re able to find something in these songs that resonates and makes you want to play them over and over again.”

Billy Winn was listening to a lot of TLC and Janet Jackson while he was working on Dreamland II.  “Specifically, Crazy, Sexy, Cool, Fanmail, and Janet’s Velvet Rope album.  At the same time, I was listening to artists like Flume, Owl City, Robyn, and Tove Lo; trying to find a place musically where they could all co-exist or become something completely different altogether.”

He was also inspired by a series of circumstances in his life, including the death of his father.  “He and I weren’t close but at the end of his life, I was asked to return home to take care of him and my family.  It was an extremely emotional situation, and definitely something that I’m still healing from.”

It is one of the reasons Dreamland II is angrier than the first album.  While Dreamland I explored life as a perception of fantasy and guilty pleasures, Dreamland II reveals more pain beneath the surface.  There is an overriding theme throughout that it’s all fun and games until someone catches feelings.

Billy Winn is a Billboard-charting singer, songwriter, recording artist, and performer whose music ranges from high energy dance records to emotionally charged EDM.  Some of his most popular singles include “Seal It with a Kiss”, “Crash,” and “Future X Boyfriend.”

Dreamland I was a major turning point for the young artist and its success allowed Winn to tour and expand his fan base.  It has also taught him to not doubt or second guess himself.    “I’m trusting my instincts a lot more these days and I have to admit I’m pretty confident in the road ahead.” 

Billy Winn released “Another Broken Heart,” the debut single from Dreamland II, in June.  The next release from the album, “Tell Him,” is scheduled to release in early fall.

 

Billy Winn’s Dreamland II is being distributed by Ferocious Music and OneRPM and is available on iTunes, Spotify and all digital platforms.  For more information, visit BillyWinn.com or follow him on Facebook.

Another Broken Heart

Billy Winn Returns in Dreamland II, The Final EP of His Two-Part Series

Featuring Debut Single, “Another Broken Heart”

Billy Winn’s Dreamland II picks up where Dreamland I left off.  Thematically, at least.  Sonically, its debut single, “Another Broken Heart,” releasing May 24, turns up the drama with a heavy-octane dance number.  “I love going back to EDM, where it all started for me,” Winn explains.  “High energy dance is always a great place to get things started.”  

Both EPs tell stories from the perspective of a queer kid of color who has had his heart broken.  “It’s the only position that I can write from and it’s one that I can’t recall ever hearing in pop music,” Winn continues.  “My hope is that regardless of where you come from, who you are now, or who you are becoming; you’re able to find something in these songs that resonates and makes you want to play them over and over again.”

“Another Broken Heart” was inspired by a series of circumstances in Winn’s life, including the death of his father.  “He and I weren’t close but at the end of his life, I was asked to return home to take care of him and my family.  It was an extremely emotional situation, and definitely something that I’m still healing from.” 

Billy Winn

He didn’t intend on making “Another Broken Heart” a dance record.  Its original chorus was midtempo.   The idea to speed up the melody and make it a dance record came from his production team, Johnie & Elliot.  “Johnie turned the song into something rare,” Winn reflects.  “It’s a dance track with a strong, relatable message about something we’ve all been through at least once.  I think it’s the perfect summer song.”

Billy Winn is a Billboard-charting singer, songwriter, recording artist, and performer who regularly thrills audiences with his shows and music releases, ranging from high energy dance records to emotionally charged EDM.  With Dreamland II, Winn notes his inspirations as being a mix of 90s R&B and the EDM of the last decade.

“I was listening to a lot of TLC and Janet Jackson while I was working on Dreamland II; specifically, Crazy, Sexy, Cool, Fanmail, and Janet’s Velvet Rope album.  At the same time, I was listening to artists like Flume, Owl City, Robyn, and Tove Lo; trying to find a place musically where all those influences could exist or become something completely different altogether.”

Last year, Billy Winn released Dreamland I, an album that explored life as a perception of fantasy and guilty pleasures.   Singles “Seal It with a Kiss”, “If You Really Cared”, and “Crash” were all presented as chapters in a larger story.    “Another Broken Heart” is the next chapter in Winn’s Dreamland saga. 

“In ‘Another Broken Heart’ and all of the songs in Dreamland II, the idea is that it’s all fun and games until someone catches feelings,” Winn says.  

Dreamland II is a bit angrier than the first EP with a little more underlying pain because the perspective has changed.   “I’m not only talking from one individual’s thoughts or feelings anymore. In Dreamland II, I consider multiple angles.”

It’s been a year since Winn released Dreamland I and the acclaim from the album has allowed him to tour and expand his fan base.  It has also taught him to not doubt or second guess himself.    “I’m trusting my instincts a lot more these days and I have to admit I’m pretty confident in the road ahead.” 

“Things will happen that are outside of my control, but I’m not letting those forces control me.” 

Billy Winn’s Dreamland II is being distributed by Ferocious Music and OneRPM and is available on iTunes, Spotify and all digital platforms.  For more information, visit BillyWinn.com or follow him on Facebook.

 

Hump Day & Chill

Got Yanni???
Yanni Burton

Wanna thrill? Hump Day & Chill to the other Yanni...Yanni Burton

Yanni Burton Yearns To Break Free from a Sleepy Stagnant Relationship 

in New Single, “Awake” 

“Awake,” the new song by out singer-songwriter Yanni Burton, was inspired  by Yanni’s own experience, coming to terms with the realization that it was time to break free from a stagnant relationship and find passion in life again.  “I was stuck in a long distance relationship,” Yanni explains. “The days and weeks apart left me feeling lonely and empty.  I remember being in a constant fog of self doubt and indecision.”   Sitting down to write “Awake” helped Yanni to refocus his goals and pull himself out from his sleepy funk.  The end result is a broody song that brilliantly combines his passion for pop and classical music.  Produced by Yanni and mixed and edited by multi-platinum record producer Kieran Kelly, “Awake” is available on iTunes, Spotify  and all major digital platforms. The music video is on Youtube.

Yanni Burton grew up in Adelaide, Australia – a small town that was first put on the map as the birthplace of pop singer Sia. He lived most days in the city with his mother but holidays were spent in the country on his dad’s farm.   “The farm was in the middle of nowhere and I’d arrive in solid gold sneakers, booty shorts and a tank top, like I’d just come off the set of Priscilla Queen of the Desert,” he remembers.  “I loved hanging with the kangaroos and Klunk, my dad’s pet Emu.”

He came out as gay a bit later than most in his generation.  Yanni had his very first relationship at 22.  When he told his mother he was dating a guy, she slapped him.  Not because he was gay.  She had already had a vision about that.  (When Yanni was born, she noticed a rainbow light up the sky and declared to his father that their boy would be gay.)  She was more upset by the man’s advanced age.   No son of hers was going to be a sugar baby!

Yanni, Yanni, Yanni!
Photo:
Charles Quiles

His dad took the news much better.  Yanni told him while they were on a trip to rural Pennsylvania, visiting the Amish. “I was bawling my eyes out under the fluorescent lights of a moldy Motel Six hallway and Dad simply hugged me and said, ‘Its ok, I love you.’”

For college, Yanni attended the prestigious Juilliard School in Manhattan where he studied the double bass.  In fact, he holds a bachelor's and master’s degree in orchestral performance and is Producer and General Manager of the Salome Chamber Orchestra, where he has performed alongside a long list of celebrated artists including John Legend, Michelle Williams, Natasha Beddingfield and Rufus Wainwright.    John Legend and Rufus Wainwright were instrumental in helping Yanni to obtain an artist green card.  Both graciously agreed to write a letter of support for his US residency.

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He describes life today as a “gay thirty-something in New York City”.  Yanni attends Barry’s Bootcamp religiously, pays too much rent and complains about it every second he can.  He’s also found love again!  His fiancé is smart, attractive and most importantly, twenty-something, which means he is mom-approved.

He is not the man featured in the music video for “Awake”.  That is Reed Laplau, a fellow Aussie who danced for the Sydney Dance Company before moving to NYC where his career has taken off on Broadway in productions of The Great Comet of 1812, Fiddler on the Roof, and the upcoming Moulin Rouge.  

The video was shot in an incredible 20,000 square foot warehouse in Brooklyn.   “It was abandoned and the lovely lady who owns it offered us the opportunity to do whatever we wanted with it…so naturally we filled it with lighting rigs, skeletons, and flour,”  Yanni laughs.

Yanni aspires for his audience to connect, see, and feel themselves in his music and lyrics so that ultimately, they hear their own story being told.   “I hope my music conveys to listeners that it is okay to be yourself.  Never censor who you are or hold back in expressing yourself.   Step up for what you believe in and most importantly, have fun.”

Visit YanniBurton.com

Follow Yanni on Facebook, Twitter and Instagram.