Rewatched American Psycho this weekend. Hadn't seen it in forever. I like to revisit movies I liked when I was younger later in life to see how my life experience changes my perception of them. I found the film hilarious at 58. Something that my 20 years younger less experienced self didn't really get.
Not to mention Christian Bale as Patrick Bateman was HAF🔥
In his 42nd book, prolific writer and scholar Wes D. Gehring presents the well-researched and intricately crafted Kinds of American Film Comedy: Six Core Genres and Their Literary Roots. Gehring breaks down six core comedy genres in an accessible style, yet academic enough for classroom use. This time, he ties in the predecessor of comedic cinema: print humor.
Gehring states, "This study needed at least a lengthy, if compressed, opening chapter survey upon which to build. It is keyed on several important pressure points, which in their totality, provide a basic foundation for the film-focused chapters to follow." And in this chapter, he is able to succinctly introduce the foundations of U.S. comedy that underpin the genres of cinematic comedy.
Dr. Ashley Donnelly, Professor of Media at Ball State University, says, "Though knowing him as a film scholar in the truest sense, I've always considered Gehring's work to be rooted in social history. His works take the people, the genres, and the history of cinema and intertwine them with the stories of the period he's exploring, the complexities of his subjects' lives, and the events and moments in time that touched the world, leaving generational, unconscious connections between the screen and the most important moments of human history."
This groundbreaking film study begins with a survey of American print humorists from eras leading up to and overlapping the advent of film—including some who worked both on the page and on the screen, like Robert Benchley, Will Rogers, Groucho Marx and W. C. Fields. Six comic film genres are identified as outgrowths of a national tradition of Cracker Barrel philosophers, personality comedy, parody, screwball comedy, romantic comedy and dark comedy.
Gehring says, "The goal here is to place between two covers an updated in-depth look at a still too frequently neglected subject-the core comic film genres, and their integral ties to print humor. Moreover, at some level, comedy is most often about blowing "raspberries" at the world around us. And if one is at all engaged, you are a humor activist a reminder that you are not alone."
This September Arrow Brings One of Japan’s Most Important
Cinematic Works to Home Video for the First Time
Japanese director Tomu Uchida directed 70 films over a career that spanned nearly 50 years. The crowning moment of Uchida's legendary career would come in 1965 with the release of the epic crime drama, A Fugitive from the Past. On September 27, Arrow brings this stunning masterpiece to home video outside of Japan for the first time.
In 1947, a freak typhoon sends a passenger ferry running between Hokkaido and mainland Japan plunging to the ocean depths, with hundreds of lives lost. During the chaos, three men are witnessed fleeing a burning pawnshop in the Hokkaido port town of Iwanai. The police suspect theft and arson, and when Detective Yumisaka (Junzaburo Ban) discovers the burned remains of a boat and the corpses of two men, he sets about tracking the shadowy third figure. Meanwhile, the mysterious Takichi Inukai (Rentaro Mikuni) takes shelter with a prostitute, Yae (Sachiko Hidari), a brief encounter that will come to define both of their lives. A decade later, long after the trail has gone cold, Yumisaka is called back by his successor Detective Ajimura (Ken Takakura) as two new dead bodies are found.
A Fugitive from the Past was shot in gorgeous monochrome photography that delivers a grittiness that imitates newsreels of the day. This cinematography coupled with Uchida's use of postwar Japanese landscapes helps create a crime drama that touches on the massive social upheaval and unspoken legacies of the war that was still fresh on everyone's mind.
An adaptation of Tsutomu Minakami's 1700-page novel, A Fugitive from the Past is one of the most popular and critically esteemed films in all of Japanese cinema. Kinema Junpo, Japan's oldest film magazine with origins dating back to 1919, has repeatedly heaped praise upon the film. In 1995, the magazine declared A Fugitive from the Past to be the 6th greatest Japanese film ever made. Three years later in 1999, the magazine bumped the film up to number three.
Arrow's Blu-ray release features a restored 183-minute-long cut of the film with the original uncompressed mono audio. Special features include an introduction by writer and curator Jasper Sharp, scene-specific commentaries from leading Japanese film scholars, the original theatrical trailer, and more. First pressings of the release include a fully illustrated collector’s booklet featuring writing on the film by David Baldwin and Inuhiko Yomota.
Greetings Starfighter! You have been recruited by Arrow Video to experience the 1984 sci-fi classic as you've never experienced it before! Directed by Nick Castle, the man behind the Michael Myers mask in the original Halloween, The Last Starfighter tells the story Alex Rogan (Lance Guest), an arcade game whizz-kid whose wildest dreams comes true when he finds himself enlisted to fight in an interstellar war. Now newly restored from a 4K scan of the original negative and featuring a 4.1 mix originally created for the film's 70mm release - never included on previous home video formats - The Last Starfighter arrives loaded with brand new and archival bonus features. Strap yourself in: the Blu-ray adventure of a lifetime is about to begin!
Bonus Materials
Brand new restoration from a 4K scan of the original 35mm camera negative
High Definition Blu-ray (1080p) presentation
Uncompressed 2.0 stereo, 5.1 DTS-HD MA and 4.1 audio
Optional English subtitles for the deaf and hard of hearing
Brand new audio commentary with Mike White of The Last Projection Booth podcast
Archival audio commentary with director Nick Castle and production designer Ron Cobb
Heroes of the Screen – archival featurette
Crossing the Frontier: The Making of The Last Starfighter – archival 4-part documentary
Image Galleries
Theatrical and Teaser Trailers
Reversible sleeve featuring original and newly commissioned artwork by Matt Ferguson
PLUS MORE NEW EXTRAS TO BE ANNOUNCED!!!
FIRST PRESSING ONLY
Limited Edition O-Card
Limited Edition Reversible Poster featuring original and newly commissioned artwork
Collector’s booklet featuring new writing by Amanda Reyes and sci-fi author Greg Bear’s never-before-published Omni magazine article on Digital Productions, the company responsible for the CGI in The Last Starfighter
What do you get when you cross Afro-futurism, Cold War paranoia, the dystopian world of Philip K. Dick and 60s exploitation cinema, along with a hefty dose of Lynchian surrealism? The answer: Jesus Shows You the Way to the Highway, the second feature by Miguel Llansó (Crumbs) and one of the most striking and original films you'll see all year. The year is 2035, and Special Agent Gagano (Daniel Tadesse, Crumbs) dreams of leaving the CIA to open a business with his wife Malin (Gerda-Annette Allikas). Before he can hand in his resignation, however, a strange cyber virus attacks Psychobook, the CIA's operating system, forcing Gagano to enter cyberspace via virtual reality to combat the threat. Before long, however, the virus starts to reach out into the real world, destabilising the fragile socio-political order for its own ends, and Gagano, trapped in the VR world, must find a way out before it's too late. Featuring encounters with an Irish-accented Joseph Stalin, a kung-fu-fighting Batman, and Jesus Christ himself, to name but a few, Jesus Shows You the Way to the Highway is absurd, audacious and like nothing you've ever experienced before.
New audio commentary by critics Alexandra Heller-Nicholas and Anton Bitel
From Talinn with Love, a new visual essay by critic Will Webb exploring the influence of exploitation cinema on Jesus Shows You the Way to the Highway
Exclusive audio interview with director Miguel Llansó, conducted by critic Josh Hurtado
Crumbs (2015), Miguel Llansó’s feature directorial debut and spiritual predecessor to Jesus Shows You the Way to the Highway (Limited Edition Exclusive)
Chigger Ale (2013) and Night in the Wild Garden (2015), two short films by Miguel Llansó
Original proof-of-concept trailer
Theatrical trailer
Image gallery
Reversible sleeve featuring original and newly commissioned artwork by Austin Hinderliter
Double-sided fold-out poster
Limited Edition illustrated collector's booklet featuring new writing on Jesus Shows You the Way to the Highway by Barry Forshaw and Crumbs by Anton Bitel
An infectiously funny slice of modern Korean cinema where Train to Busan, The Quiet Family and Warm Bodies collide to create a memorable rom-zom-com from first time director Lee Min-jae. When the illegal human experiments of Korea's biggest Pharmaceutical company go wrong, one of their "undead" test subjects escapes and ends up in a shabby gas station owned by the Park family - a band of misfits spanning three generations who hustle passers-by to make ends meet. When the Park family uncover their undead visitor, he bites the head of their household, who instead of transforming into an undead ghoul becomes revitalised and full of life! The family then hatch a plan to exploit this unexpected fountain of youth, allowing locals to pay to be bitten too, until things go wrong... With a cabbage-munching zombie who prefers ketchup over blood, and a dysfunctional family that gives the Kim family of Parasite a run for their money, Zombie for Sale will warm the deadest of hearts and breathe some new life into the zombie genre.
Original uncompressed Stereo and 5.1 DTS-HD MA options
Newly-translated English subtitles
Brand new audio commentary with filmmakers and critics Sam Ashurst and Dan Martin
Q&A with director Lee Min-jae from a 2019 screening at Asian Pop-Up Cinema in Chicago, moderated by film critic and author Darcy Paquet
Eat Together, Kill Together: The Family-in-Peril Comedy - brand new video essay by critic and producer Pierce Conran exploring Korea's unique social satires
Making-Of Featurette
Behind-the-Scenes footage
Original Trailer
Reversible sleeve featuring original and newly-commissioned artwork by Mike Lee-Graham
FIRST PRESSING ONLY: Collector’s booklet featuring new writing by Josh Hurtado
It's been a while since we have heard from singer/songwriter/actor Jay Jacobson. His last album "The Ride" was released in 2014. It produced an acclaimed animated video for the single "I Lived." Jay also starred in his own successful and acclaimed one man show "Mental Creatures" that he performed at The Lounge Theater in Hollywood. So where in the world has Jay been? Well you are about to find out!
MS: How's "The Ride" been since 2014? You've been pretty quiet since then.
JJ: Unfortunately, not by choice. I was nearing the end of recording my next CD, “Travelogue”, when I came down with a rare auto-immune disease. I’ve been on heavy medications, and couldn’t really function. I’m now in the process of reducing my medications, and starting to somewhat function again. The goal is to keep the disease in remission and get back to functioning normally. It’s been quite “a ride”, pun intended.
MS: Well you are back with a quite timely single "These Troubled Times" give some insight into the creation of it.
JJ: Almost all of my songs reflect what I’m experiencing as I go through my life. I can actually see my journey if I look at my CDs one by one. I came to a point, just before COVID, where I felt I needed to say something about the state of the world. I think just about everyone is scared or suffering to some degree, no matter what your political outlook. We’ve gotten so full of greed and anger, and so far from empathy and caring for one another. I felt the need to say something about it.
MS: I cried when I first heard it, while the whole song is great, these lyrics: "A nation stands in need Capitalism has turned to greed, We killed off the dream we had, And threw away the seed" really nailed it.
Hi Jay!
JJ: Thanks! The fact that you were moved is a huge compliment. I certainly hope the song inspires people to be kind, loving and generous. It seems there are definitely more of those qualities appearing, with the quarantines all over the world. I can tell you from being sick, something like that changes one’s perspective as to what’s important in life. And while there are some people who still haven’t gotten in touch with a “bigger” picture of life, it seems like a majority of the world has. This pandemic will definitely change the world and we have a chance to make it a better place. Hopefully, that is how this will play out.
MS: Any plans for a video?
JJ: I’m actually in the process of working on one now. I’m a bit slower at things than I normally am, so it will come out sometime after the song’s release.
MS: Spill the tea, what was it like singing back-up for Liza Minnelli?
JJ: First of all, it was a major thrill to sing with her. I saw her in concert several times in the 1980s and she would make the hairs on my arms stand on end. She is probably one of the greatest live performers of all time. As for working with her, she was always very nice and professional. One thing that surprised me was that she would be smoking while singing during rehearsals. It didn’t seem to affect her singing though, and in the end she delivered an amazing performance, as she always did.
MS: You did a one man musical show "Mental Creatures" that was very successful. Give some 411 on it.
JJ: “Mental Creatures” was definitely one of the highest points in my career and life. It started out as a way to combine my songs with my acting, and I started to write a show around some of my songs. At one point, I suddenly realized I had something to say, and form that point on, the show took on a life of its own. It took four years to write. It was a show about living life fully, no matter what is thrown at you. The degree we can feel happiness, pain, anger, love, and so on, is the degree to which we can be fulfilled. I played 8 characters (or nine?), with no costume changes, and only a chair on stage. I would change my voice and physicality with each character. There were three main characters: a young painter from the south with his first gallery show ever; a middle aged female window, who starts dating again for the first time in years; and an elderly man, moving into a retirement home. The show was narrated by a singer-songwriter. A huge compliment I would often get is that people expected the other characters to come out at the curtain call, forgetting that I played each character. I was shocked night after night, week after week, at the overwhelming reaction. After the show I would be told over and over by people how moved and inspired they were, and many would still be sobbing, and tried but couldn’t speak. It was a huge success, with rave reviews, and I learned a lot by doing that show. It kind of spoiled me as an actor, in that it was in something that had a lot of meaning for me, and I got to play many different characters through their breakdowns and breakthroughs. And I got to sing my songs and connect with an audience. It was magical.
"I Lived"
MS: Ever planning on resurrecting it again?
JJ: I keep getting asked that over and over, usually by people that saw it and want to see it again. I would love to do it again, so if any of your readers knows a theater looking for a one-man-show, definitely let me know! The show was taped, so I do have a record of it. I thought about putting segments on my website, but the sound and lighting aren’t particularly good. it was a filmed play after all.
MS: OK, I know you are a film lover. Which film do you wish you could have done a song for most?
JJ: A film that comes to mind immediately, is “Call Me By Your Name”. There was so much emotion at the end, a perfect set up for a great, emotional, beautiful song. And I did love what Sufjan Stevens came up with.
MS: What actress would you like to work with the most and why?
JJ: Definitely Meryl Streep. She is so present and so great at listening which is key to great acting. I think I’d learn a lot from her. Also Toni Collette, Jessica Lange or Saoirse Ronan.
MS: To be, or not to be?
JJ: That is the question. “To be” definitely! Life is filled with hardships, and “troubled times”, but there is so much beauty and love in the world too. Quality of life is determined by how we relate with what it presents us. Nothing ever stays the same and all things, good and bad, eventually pass. Life is a mixed bag, but it is definitely an adventure to be experienced.
MS: Let's do Thai Food again soon.
JJ: I’m totally down for that!!
"These Troubled Times" is out today, check it, and everything Jay at the links below -
While on Facebook yesterday an app came through to plug in your birth year to find out what was the big horror movie at that time. So for the thrill and chill of it, I did just that. Well guess what came up from the great beyond? Roman Polanski's Repulsion starring Catherine Deneuve, oh alright, the year was 1965. Here is the synopsis: "A sex-repulsed woman who disapproves of her sister's boyfriend sinks into depression and has horrific visions of rape and violence." While I did not see it the year it was out, duh, I did happen to view it in my twenties, not knowing it was the big fright fest of the year of my birth. I knew that being born a snake was cool, now it has been solidified. It is time for another viewing of this classic, with me being older and wiser. While I liked it when I first saw it, I believe this is a film, like so many, that gets better with life experience. Besides who can resist the eternal beauty of Deneuve and the Directing mastery of Polanski? Yeah, I thought not...only four more days until Halloween! Repulsion on IMDb - https://www.imdb.com/title/tt0059646/?ref_=nv_sr_1?ref_=nv_sr_1
The notorious "Audition" hits the streets on Blu-ray 2/12/19 - can you stomach it?!
One of the most shocking J-horror films ever made, Audition exploded onto the festival circuit at the turn of the century to a chorus of awards and praise. The film would catapult Miike to the international scene and pave the way for such other genre delights as Ichii the Killer and The Happiness of the Katakuris. Recent widower Shigeharu Aoyama is advised by his son to find a new wife, so he seeks the advice of a colleague having been out of the dating scene for many years. They take advantage of their position in a film company by staging an audition to find the perfect woman. Interviewing a series of women, Shigeharu becomes enchanted by Asami, a quiet, 24-year-old woman, who is immediately responsive to his charms. But soon things take a very dark and twisted turn as we find that Asami isn't what she seems to be... Pulling the audience into a story that will lead to one of the most harrowing climaxes in cinema history, Miike twists and turns us through delirious editing and shocking visuals for one of the most depraved nightmares of all time!
Bonus Materials
Brand new 2K restoriation of original vault elements
Original 5.1 Dolby Surround Audio
Optional English subtitles
Audio commentary with director Takashi Miike and screenwriter Daisuke Tengan
Brand new commentary by Miike biographer Tom Mes examining the film and its source novel
Introduction by Miike
Ties that Bind – A brand new interview with Takashi Miike
Interviews with stars Ryo Ishibashi, Eihi Shiina, Renji Ishibashi and Ren Osugi
Damaged Romance: An appreciation by Japanese cinema historian Tony Rayns
Trailers
Reversible sleeve featuring original and newly commissioned artwork by Matthew Griffin
FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by Anton Bitel
The Golden Globes have been dubbed "Hollywood's Biggest Party" due in no small part to the massive amount of celebrity skin per square inch the event contains. That's because it celebrates not only Film accomplishments, but TV as well. While there is nothing one can really say about the event, especially since tonight's award ceremony has yet to air. I figured why not give you a list of nominees and the prediction of who will win the Globe and who should win the Globe in each category along with other clickable coverage via USA Today. Don't say I'm not a giver. Because I am, now click minions, click! PS Did you catch the pun in my byline? "Yes" it's a wink to one of this year's GG hosts Sandra Oh. Ha ha ha ha ha ha...OK now you may click like your Mama taught you!!! https://www.usatoday.com/story/life/movies/2019/01/03/golden-globes-2019-predictions-who-win-and-who-should/2449076002/
The Notorious Horror Classic... New 3 Disc Limited Edition 4k Restoration From Original Camera Negative With 3D Lenticular Slipcover - Only 10,000 Available!
Coming December 11th
Exclusive Limited Collector's Edition includes 2 Blu-rays, Soundtrack CD,
collectible booklet, and a ton of extras
Here's one for all you hardcore horror fans!
"I'd like a little off the top please..."
Frank Zito (a career performance by writer/executive producer Joe Spinell of ROCKY and THE GODFATHER fame) is a deeply disturbed man, haunted by the traumas of unspeakable childhood abuse. And when these horrific memories begin to scream inside his mind, Frank prowls the seedy streets of N ew York City to stalk and slaughter innocent young women. Now Frank has begun a relationship with a beautiful photographer (Caroline Munro of THE SPY WHO LOVED ME), yet his vile compulsions remain. These are the atrocities of a human monster. This is the story of a MANIAC.
Directed by William Lustig (MANIAC COP 2, VIGILANTE) and featuring landmark gore effects by Tom Savini (DAWN OF THE DEAD, FRIDAY THE 13th), this relentlessly shocking and disturbing film was originally banned or censored all over the world due to its graphic violence. Now Blue Underground is thrilled to present MANIAC in a brand-new 4K Restoration from its recently discovered 16mm original camera negative, overflowing with hours of new and archival extras! A complete list is below...
Audio Commentary #1 with Producer/Director William Lustig and Producer Andrew W. Garroni
Audio Commentary #2 with Producer/Director William Lustig, Special Make-Up Effects Artist Tom Savini, Editor Lorenzo Marinelli, and Joe Spinell's Assistant Luke Walter
Theatrical Trailers
TV Spots
Radio Spots
Disc 2 (Blu-ray) Extras:
NEW! MANIAC Outtakes
NEW!Returning to the Scene of the Crime with William Lustig
Anna and the Killer - Interview with Star Caroline Munro
The Death Dealer - Interview with Special Make-Up Effects Artist Tom Savini
Dark Notes - Interview with Composer Jay Chattaway
Maniac Men - Interview with Songwriters Michael Sembello and Dennis Matkosky
The Joe Spinell Story
Mr. Robbie: Maniac 2 Promo Reel
MANIAC Publicity
MANIAC Controversy
BONUS! MANIAC Original Motion Picture Soundtrack CD by Jay Chattaway
BONUS! Collectable Booklet with new essay by Michael Gingold
I was made aware of Vincent via Margaret Cho, fascinating stuff...
"A morbid, fascinating, and remarkably inspiring new documentary about one of the most acclaimed artists of our time." - Metal Injection
Award winning Filmmaker / Author John Borowski's (H.H. Holmes: America's First Serial Killer) fifith feature documentary film, Bloodlines: The Art and Life of Vincent Castiglia, will be released in North America on November 13th. The film focuses on artist Castiglia's painful life of abuse, addiction, and recovery while also exploring the reasons why the world renowned artist paints exclusively in human blood.
Vincent Castiglia paints surreal images exclusively in human blood. He began doing so as form of self-healing following a troubled childhood and painful existence. From darkness, however, came light, and Castiglia's story is one of inspiration and hope, providing proof that art can heal and serve to inspire others.
Margaret Cho, who commissioned Vincent to paint her portrait in her blood, is interviewed in the film as well as celebrities Gregg Allman, Damien Echols, Kerry King and Gary Holt of the heavy metal band Slayer, record executive Michael Alago, and numerous others including filming in the studio and museum of legendary artist H.R. Giger, who designed the iconic creature for the Alien movies.
After a successful Kickstarter fundraising campaign, production of the film spanned from 2014 to 2018, filming on location in the United States: New York City, Los Angeles, Louisiana, Chicago, Oregon, and internationally: Singapore and Switzerland.